Annette Dasch is one of today’s leading sopranos. She appears at the Bayreuth Festival, Salzburger Festspiele, Osterfestspiele and sings at leading opera houses in Milan, New York, London, Munich, Berlin, Dresden, Vienna, Paris, Florence, Madrid, Tokyo, Brussels and Geneva. Among her most important roles are Donna Elvira, Donna Anna, Contessa, Fiordiligi, Vitellia, Elettra, Armida, Antonia, Elsa and Hanna Glawari. In the concert she has worked with orchestras such as the Berliner and Wiener Philharmoniker, Orchestre de Paris, RSB Berlin, Mozarteum Orchester Salzburg or Akademie of Alte Musik. She collaborates with conductors such as Daniel Barenboim, Ivor Bolton, Sir Colin Davis, Gustavo Dudamel, Adam Fischer, Nicolaus Harnoncourt, Paavo Järvi, Marek Janowski, Fabio Luisi, Kent Nagano, Andris Nelsons, Sir Roger Norrington, Seiji Ozawa, Sir Simon Rattle, Helmuth Rilling and Christian Thielemann. She gives regularly recitals at the Schubertiade Schwarzenberg, Wiener Musikverein, Wiener Konzerthaus, Concertgebouw Amsterdam, Konzerthaus Dortmund, and at Schleswig-Holstein Music Festival.
Annette Dasch studied among others at the Hochschule für Musik in Munich. She is an exclusive artist with SONY BMG. For her debut-CD Armida she was awarded with the ECHO prize for the best opera-recording 2008. Her second album with Mozart Arias has also been released by SONY. Besides, her discography includes CDs of Deutsche Barocklieder (Harmonia mundi France) and Schumann’s Genoveva (Acousence) as well as DVDs of Haydn’s Creation, Re Pastore from Salzburger Festspiele (DG) and Nozze di Figaro (Bel Air Classiques) from Théâtre des Champs-Elysées Paris, Don Giovanni (Euroarts) from Salzburger Festspiele and Idomeneo (Medici Arts/Naxos) from Cuvilliés Theater München.
Since the beginning of 2008 she has been the host of her highly successful show Annette’s Dasch-Salon in Berlin. Future engagements include new productions and role debuts at the Berliner Staatsoper, Oper Frankfurt, Nederlandse Opera Amsterdam and the Oper Zürich as well as the return to the Metropolitan Opera New York.
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